Sofija Perović acquired diplomas in harpsichord and French language and literature from the Faculty of Music and the Faculty of Philology (2010), respectively. She went on to acquire master’s degrees at the same faculties, at the poly-instrumental and French Language and Literature departments, as well as at the University Paris II – New Sorbonne, where she acquired the Master of Arts title.
She also acquired doctorates in art – music and science – philology from the Faculty of Music and Faculty of Philology, respectively.
She was elected associate professor at the Faculty of Contemporary Arts in 2017.

• Sofija Perović (director) Claudio Monteverdi’s opera “The Coronation of Poppaea”, Madlenianum, big scene – premiere 2014
• Sofija Perović (director) monoopera Francis Poulenc “The Human Voice”, Bitef Theater, premiere 2015
• Sofija Perović (director) Udo Zimmermann’s opera “The White Rose”, Dorćol Platz, premiere 2016
• Sofija Perović (harpsichord) solo concert, Kolarac Music Gallery, 2016
• Sofija Perović (harpsichord) solo concert at the National Theater Museum in Belgrade, 2016
• Sofija Perović (harpsichord) concert with baroque violinist Katarina Đorđević at Artget gallery, Belgrade, 2016
• Sofija Perović (harpsichord) concert with pianist Nataša Penezić and the SYNC ensemble, Sinagogue, Novi Sad, 2014
• Sofija Perović (harpsichord) performances in the Baroque Evenings Cycle at the FMU (2012–2015)
• Sofija Perović (harpsichord) concert of chamber music for flute, violin and harpsichord with Irena Kovač and Katarina Đorđević, Artget gallery, Belgrade, 2011
• Sofija Perović (director) Jean-Paul Sartre’s drama No Exit, Hall 16 of the Univerity Pariz II – New Sorbonne, Paris, 2012
• Sofija Perović (co-director – collective direction) play The Wonderful World of Amélie Nothomb, Bitef theater, 2005
• Sofija Perović (assistant director) Wolfgang Amadeus Mozart’s opera The Abduction from the Seraglio, Roajomon Foundation, France, 2014
• Sofija Perović (assistant director) Henry Purcell’s opera Dido and Aeneas, National Theater, Belgrade, 2013.godine
• Sofija Perović (assistant director) play Le mouvement incertain de l’amour, Sala An Ibersfild of University Paris III – New Sorbonne, Paris, 2014

Scientific works:

• Perović, Sofija: Armide et Tosca dans la mise en scène de Robert Carsen, Saarbrücken, PAF, 2013, ISBN 978-3-8416-2267-9 (144 pp.)
• Perović, Sofija: “L’Espace théâtral dans Huis clos de Jean-Paul Sartre et dans Le Visiteur d’Éric-Emmanuel Schmitt” in: Les Études françaises aujourd’hui: La représentation de l’espace dans les littératures française et francophone, Belgrade, Faculty oF Philology, University of Belgrade, Society for Cultural Cooperation Serbia – France, 2012, pp. 137-146.
• Perović, Sofija: “L’Image de l’Europe dans Le Malentendu d’Albert Camus” in: Les Études françaises aujourd’hui, Novi Sad, Faculty of Philosophy, 2013, pp. 48-57.
• Perović, Sofija: “Simbolistička dramaturgija : Dina Mancheva, La Dramaturgie symboliste de l’Ouest à l’Est européen, Paris, L’Harmattan, 2013” in: Philology Review, Belgrade, Faculty of Philology, 2015, pp. 151-156.
• Perović, Sofija: “Ma vie avec Mozart d’Eric-Emmanuel Schmitt – une autofiction interdisciplinaire” in: Philology Review, Belgrade, Faculty of Philology, 2015, str. 97-106.
• Perović, Sofija: “L’Opéra de Belgrade (1992-2000)” in : Les lieux de l’Opéra en Europe (XVIIe – XXIe siècle)”, Paris, Centre national de la recherche scientifique (CNRS), 2016, 43-50.
• Perović, Sofija: “Potraga za identitetom u Sartrovoj drami Muve i Kamijevoj drami Nesporazum” in: proceedings from the First International Interdisciplinary Conference of Young Social and Humanistic Scientists “Contexts”, Novi Sad, Faculty of Philosophy, 2014, pp. 583-591.
• Perović, Sofija: “Autofiction in French New Criticism“ in: proceedings from the Young Philologists Conference, Kragujevac, Faculty of Philology and Art, 2013, pp. 93-102.

• BG ART association for the promotion of music and stage arts, director, 2015-